Sound
The Journal

Topic

Recording.

12 pieces

01

How to reduce background noise in Audacity

Audacity's built-in Noise Reduction cleans steady hiss and hum well — if you don't overdo it. Step by step: get a noise profile from a silent moment, apply it gently, and avoid the watery over-scrubbed artifact.

· 6 min

02

How to treat a room for vocals (cheaply)

An untreated room bakes reflections into your vocal that are hard to remove later. How to treat a recording space for vocals cheaply — blankets, a clothes-filled closet, recording into a soft pocket — and what actually matters.

· 6 min

03

How to remove mic bleed from vocals

Mic bleed is unwanted sound recorded alongside the vocal — headphones, other instruments, room. Why it steals clarity and control, why a gate only fixes the gaps, and how separating the voice from simultaneous bleed is the real job.

· 5 min

04

How to tune vocals (pitch correction basics)

Pitch correction ranges from invisible touch-ups to the hard robotic effect — both from the same tools, set differently. How to tune vocals: automatic vs graphical, why retune speed decides the sound, and how to keep it natural.

· 6 min

05

How to double vocals (the right way)

Doubling makes a lead vocal wide and thick — but copying one take to both sides does nothing. How to double vocals properly with real re-performed takes, panning, when to use it, and how to keep the stack from turning harsh.

· 6 min

06

How to remove background noise from vocals

Hiss, hum, and fan noise are the most common thing between a home recording and a pro vocal. How to remove background noise cleanly: learn a noise profile, subtract it, use the least reduction that works, and do it first in the chain.

· 5 min

07

How to remove plosives (pops) from vocals

That low thump when a singer hits a 'p' or 'b' is a plosive. How to remove plosives from a recorded vocal with a fast high-pass or a quick volume dip aimed only at the pop — and how a pop filter prevents them at the source.

· 5 min

08

What actually causes sibilance (mic, voice, room)

If the harshness keeps coming back, the fix might be upstream of the de-esser. Where harsh esses really come from — the voice, the mic, the chain, the room — and what to do at each stage.

· 6 min

09

How to remove reverb from vocals

Recorded reverb is baked in — you can't turn it down. How de-reverb tools separate the direct voice from its reflections, how to avoid the watery artifact, and why prevention beats cure.

· 5 min

10

How to record vocals at home

The best plugin can't undo a bad recording, and a cheap setup can capture a great one. How to record a clean vocal at home: the room, the mic, placement, and levels, so mixing starts from something worth mixing.

· 6 min

11

The best microphone for vocals (is the wrong question)

There's no single best vocal mic; the best one matches your voice and your room. Condenser vs dynamic, matching mic brightness to the voice to avoid baked-in harshness, and why the room beats the mic.

· 5 min

12

How to reduce sibilance while recording

The cleanest de-essing is the sibilance you never record. Angle the mic off-axis, back off the distance, match the mic to the voice — capture it smaller so de-essing stays gentle and natural.

· 4 min